Noel Duan

    24 Apr 2012

    teenvogue:

Teen Vogue Senior Fashion Market Editor Mary Kate Steinmiller reveals how she chose her college major and how she prepped for her career. Get the scoop here »

    teenvogue:

    Teen Vogue Senior Fashion Market Editor Mary Kate Steinmiller reveals how she chose her college major and how she prepped for her career. Get the scoop here »

    24 Apr 2012

    jumiyori:

    :\

    Confession: When I graduate from college (or even graduate school, if I get in this year), I’m pretty sure I’ll be seeking out a job as a receptionist (if I’m lucky) or sales associate, in spite of my long-sought dream of being a fashion writer.

    And I’m really okay with that. Whatever it takes to pay the bills.

    17 Feb 2012

    I’ve gotten really sick of these on Facebook, but this is one I actually love.

    I’ve gotten really sick of these on Facebook, but this is one I actually love.

    (Source: nicolettemason)

    5 Feb 2012

    I also find that if you ask someone in an interview, “Are you a morning person?” the truth always flickers across their face, no matter what they say.

    (via The New York Times)

    23 Nov 2010

    “That’s all you need to know as a desperate, unemployed person: wherever you interview, pretend you’ve been dreaming of working there since birth and that it was your mother’s dying wish for you to get that job.”
    — Haley Hogan, Addicted to Strangers

    27 Aug 2010

    “The reality is that a good portion of the culture has become loudly vocal about how clothes don’t matter and how it’s snobbish or shallow to suggest that they do. But clothes are part of our broader aesthetic obligation to each other. That commitment pushes homeowners to mow their lawns and not be a blight to the neighborhood. It makes them think twice before painting their houses in psychedelic stripes. The desire to be aesthetically respectful means guests give consideration to what they wear to a friend’s wedding or mourners take care in how they dress for a loved one’s funeral.”
    — Robin Givhan, Fashion Editor of The Washington Post, the first fashion writer to win a Pulitzer Prize (via The Washington Post)

    27 Aug 2010

    “I wonder what it will take to convince the non-believers, the skeptics that it matters? Would it convince them if designers stopped putting on fashion shows and instead presented their collections in the dull, fluorescent light of a convention center? Do more fashion companies need to go public so that Wall Street becomes more of a stakeholder? Do designers need to march on Washington for copyright protections? What will convince folks that a billion dollar industry is relevant?”
    — Robin Givhan, Fashion Editor of The Washington Post, the first fashion writer to win a Pulitzer Prize (via robingivhan.com)

    27 Aug 2010

    “Ever since I began writing about fashion, oh so many years ago, I’ve had my own love/hate affair with it. It can be frustratingly silly. But every now and then, something substantial happens. Some fashion show - like a recent Comme des Garcons one — speaks volumes about how we relate to the homeless and to poverty. Or some fashion business - like Gucci - becomes a marvel of acumen and innovation.”
    — Robin Givhan, Fashion Editor of The Washington Post, the first fashion writer to win a Pulitzer Prize (via robingivhan.com)

    27 Aug 2010

    “I understand. It’s all about the clicks. It’s all about resources. But somehow fashion is neither fish nor fowl. It’s not considered “arts” and it’s not politics. I fret that soon it won’t be considered. It’s not the most important thing in the world, certainly. But it does tell us a lot about who we are as a society in the same way that great architecture, music and art do. People seem to automatically understand the relevance of those other fields. But it’s always a struggle to convince them that the same is true for fashion.”

    Robin Givhan, Fashion Editor of The Washington Post, the first fashion writer to win a Pulitzer Prize (via robingivhan.com)

    I admire this woman so much. She represents everything I aspire to be. She graduated from Princeton, earned a master’s in journalism, and worked for several top newspapers — in addition to VOGUE.

    24 Aug 2010

    thomas123yes:

This seems like a good way to go about looking for a career. 
drewvigal:

via: “how to be happy in business (venn diagram)”
This is an old one but a good one. Hooray is certainly the sweet spot. But based on conversations I’ve had with friends and colleagues, we certainly find ourselves in the “Learn to Say ‘No’” more often than not. (Thanks Laura!)

    thomas123yes:

    This seems like a good way to go about looking for a career. 

    drewvigal:

    via: “how to be happy in business (venn diagram)”

    This is an old one but a good one. Hooray is certainly the sweet spot. But based on conversations I’ve had with friends and colleagues, we certainly find ourselves in the “Learn to Say ‘No’” more often than not. (Thanks Laura!)

    20 Aug 2010

    “But that is the best thing about working in a fashion non-corporate environment. People can wear pillowcases with bumble-bee antennae and say, “Oh. it’s fashion. I’m just in the know. What are YOU, hmmm?” and not be in violation of any dress-code policies.”

    Amy Odell (via The Cut)

    Seriously, as of right now, I don’t know if I can go to work wearing a corporate suit. I love my bumble-bee antennae.

    12 Aug 2010

    No internships for me

    I made the final decision to not intern anywhere during sophomore year — or at least next semester.

    I love interning during the school year because it forces me to leave campus, work with professionals, and conduct myself not as an individualistic student, but as a part of a larger conglomerate.

    However, health-wise — I need the rest. I need to take care of myself.

    9 Aug 2010

    “Last year, I had the honor of giving what’s known as a Delacorte Lecture at Columbia University. I was, they told me, the lone editor from a fashion magazine to address the crowd of journalism students that semester. The first thing I asked was how many people there actually read fashion magazines, which got a fair show of hands. Then I asked who in the crowd thought fashion magazines were the devil, and one or two gamely waved. It was a lively hour of back-and-forth with the cream of America’s student journalism crop, but my favorite question came after I described the nearly 10,000-word piece we’d done on Barack Obama in December 2006, for which contributing editor Laurie Abraham traveled to Africa with him and wrote one of the first, and to my mind still one of the best, approximations of Obama the man, the candidate, and the American (check it out on ELLE.com). The J-school student, a young man, asked me how I felt about the fact that we’d done this great piece but “no one” read it. No one? You mean, except for the 4.5 million women who read ELLE every month? You mean men, right? I’m writing this just as primary season is heating up, and I don’t think I can stand one more news report referring to the “real Americans” “out there” who need so much coddling and attention from the candidates that they’ve spent what equals the GDP of a developing nation. As our intrepid E. Jean Caroll might say, you, dolls, — ELLE readers — are as much the face of “real America” as any pudgy pink guy in overalls, and there are more of you than the total populations of Iowa and New Hampshire combined. (Though I know that we have loads of readers in both those states.)”

    Roberta Myers, Editor-in-Chief of ELLE, March 2008 Editor’s Letter

    This is why I still want to work in fashion publishing.

    9 Aug 2010

    I panicked after meeting my fellow Voices Convention News Project students at the Asian American Journalists Association (AAJA) convention in Los Angeles. They had interned for the likes of Anderson Cooper, produced their own television shows, fought in Afghanistan, shot footage in Cuba, taken photographs for national publications, and built professional websites to expose their brand and name.

    I was almost embarrassed that I want to pursue fashion journalism, magazine publishing, creative writing, and art criticism. I like sassy writing. I like entrepreneurship and combining various media platforms. I like hands-on fashion styling. I like working with creative people with crazy ideas. I like not wearing a business suit to work.

    For the past seven days, I attempted to avoid any reference to my love for fashion. I worked on stories about the state of the journalism industry, Little Tokyo’s past and present, and the role of Asian American “chick lit.” I wore Theory blazers, J.Crew blouses, and Max Studio skirts. I convinced one of my interviewees to sit in an empty car with me, just so I could have National Public Radio-quality audio. My Nikon D300 was my third limb. I met recruiters from Los Angeles Times, CNN, NBC Universal, Gannett, and many more illustrious companies. I listened to Laura Ling — one of the two journalists captured by the North Korean government — speak about the power of journalism and the kindness of humanity. I met Connie Chung, the first person in the entire world who inspired me to pursue journalism as a little girl in elementary school.

    I gained a new level of respect and appreciation for journalism after my week at the AAJA convention. However, I also learned to respect and appreciate myself.

    It is okay to love fashion journalism. It is okay to spend all day wandering art galleries. It is okay to love foreign films — not just for the visuals and acting, but for the aesthetic mannerisms of a different language. It is okay to see a piece of fabric and think of a million ways to wear it. It is okay to read novels and memoirs and poetry anthologies and bask in the glory of words.

    It is okay to seek beauty in an imperfect world.

    How did I realize this? Well, Connie Chung actually helped me realize this — and she doesn’t even know it.

    It all started with a photo assignment. I was supposed to take photos of the convention’s Opening Reception. So, between frantic bites of chicken marsala, I scurried around The Highlands Hollywood and took photographs of my fellow Asian American journalists drinking, eating, schmoozing, and flirting (I’m not that naive, okay?). When I heard the awards ceremony about to begin on stage, I pushed my way to the front row in order to take my photos.

    Now, I am only 19 years old and there are plenty of things I have yet to learn about this world — but I know my Connie Chung. I used to watch her on television all the time. Heck, I even watched her husband on television every day. I should start the Chung-Povich fan club.

    While the introductions were being made on stage, I decided to be a creeper and snapped photos of this charismatic Asian lady in Christian Louboutin stilettos. I ran back to my editors in the newsroom.

    Breathless, I asked, “Could Connie Chung be at the Opening Reception? I swear I saw her. I took photos of her.” I was met with a few strange glances. Probably not, was the consensus.

    “Well, at least you didn’t ask her if she was Connie Chung… That would have been embarrassing for you,” someone said. I laughed nervously. There was a moment when I almost walked up to her, but I chickened out. I uploaded my photos onto my laptop and Googled a photo of Connie Chung. No, it has to be Connie Chung, I thought. Connie Chung would wear Louboutin stilettos, after all.

    I ran back to the Opening Reception, but by then, other people had figured out that Connie Chung there. I pushed my way to the front for a photo with her, and then I begged her for an interview for a story I was working on for AAJA Voices.

    She said yes. I waited three hours until the party was over and the crowd had finally disseminated into the wispy corners of the night. I snapped photos for my assignment in the meantime.

    Let me point out that Connie Chung is one of the most charismatic and gracious television personalities I have ever met. For every single eager beaver asking to take a photo with her, she asked for name and background. She really wanted to get to know the long line of (mostly) young girls who dream of being her someday.

    I sat outside with her on a bench, with my recorder out and my heart beating in palpitations. While a helicopter flew over us every time she spoke, I latched onto every single word she spoke.

    I could not believe that I was speaking one-to-one with Connie Chung. At the end of the interview, I complimented her on her Christian Louboutin shoes and gave her my business card — even though I doubt she has much use for contact with a college student. I was sweaty from a full day of reporting, hoarse from trying to speak at the loud party, and sore from running around Los Angeles. None of that mattered to me anymore. I was speaking to Connie Chung.

    I am almost certain that she and I were the only ones at the convention who knew about the Louboutin red sole. The next day, a description of Connie Chung’s outfit was printed in the AAJA Voices newspaper — a detail that seemed incredibly obvious to me until I realized that most of the world did not know what Christian Louboutin red soles signify. My editors told me that people loved the reporting done on her outfit. My fashion knowledge had finally come into use, even though it was unintentional.

    Sure, I do not plan to become a broadcast journalist like Connie Chung (I am convinced that my voice is too high pitched), but she taught me how important it is to stay true to one’s self — and to stick with one’s convictions. If I didn’t stick with my conviction that Connie Chung was at the party and if I didn’t notice details like her shoes, my night would have been very different. And, well, her career as a journalist has been all about conviction.

    So, kids, once again: childhood dreams do come true. This past summer, I met Rider Strong (Shawn Hunter from Boy Meets World), my childhood crush, and I met Connie Chung (pioneering Asian American journalist), my childhood hero.

    And I am okay with not knowing where I am going in life, since I am confident and proud of what I love. I know of some students who know that they will be broadcast journalists or newspaper editors or television show producers. I don’t. And really, I’m not worried. I’m having a good time.

    If I can just be as passionate as Rider Strong when I’m 30 and as graceful as Connie Chung when I’m 60, I will consider myself very blessed.

    1 Aug 2010

    “Party in the USA” Feels Like an Appropriate Song

    I am heading to Los Angeles tomorrow at 5:30am, for the Asian American Journalists Association (AAJA) convention. I’ll be armed with a fancy-schmancy Nikon D300 camera (along with a shade protector, cleaning equipment, and three lenses), a fancy-schmancy Edirol mp3 recorder, a BlackBerry as my only source of email, a MacBook Pro laptop full of files, a backup hard drive full of files, an extra flash drive, a set of headphones, a suitcase full of business suits, 100 business cards, 20 copies of my resume, and bigger dreams in journalism than I had before I became involved with AAJA Voices.

    Here goes sleepless nights, aching feet, hoarse voices, and a sense of accomplishment.